The Forever War

I stumbled across some notes I'd scribbled down a few months ago after finishing Joe Haldeman's The Forever War. The novel is something of a sci-fi classic, less for its science or its story but its anti-war basis, which is largely attributed to the author's experiences in the Vietnam War. The book is diametrically opposite to the psuedo-fascist musings of Robert Heinlein's Starship Troopers (which it is often compared to) written at the end of the 1950s. What I noticed, quite unexpectantly however, running beside this anti-war theme was a somthing of homo subtone, which was largely ignored in my edition's introduction.

When William Mandella, the book's main character returns to Earth after a disastrous campaign agaist the Tauran enemy outside our solar system he finds a changed world. Relativistic physics means that weeks maybe months have past for Mandella but back on Earth it has been decades since he left. Earth is now a violent and impoverished planet where the global currency is based on calories. To combat an unsustainable population, the global government has introduced what are termed homosex policies. Homosexual relationships aren't now so much as tolerated but encouraged.

Mandella tracks down his mother, now elderly living with a female friend, her lover and partner after the death of his father. It is something he struggles hard to come to terms with. Back in the 1970s, he says, before leaving for the war there was a growing acceptability of the homosexual lifestyle. It was something he generally agreed with but to find his mother living with a woman: this is something different. Uncomfortable with his mother's life choices, Mandella flees to the country to find his fellow soldier and lover, Marygay Potter.

As relativistic time throws Mandella further into a distant future, he finds himself commanding an entire strike force of homosexuals. Centuries in the future homosexuality is now considered the norm, throwing his hetero-normative world upside down. Children are born in vats and heterosexuality is seen as something medically disfunctional; children who are found exhibiting these tendencies are "reeducated" early. This leads Mandella worry that his sexual orientation, his pathological attraction to women will undermine his command.

I am in two minds about this, either this is an early attempt to demontrate difficulties experienced by gay people in everyday life or it is simply an exploitative vision of the future where tolerance has led to a nightmarish disfunctional world. I prefer to believe the former although Haldeman does cop out at the end when Charlie, a sypathetically portrayed gay man chooses to be medically transformed straight. Oh well.